BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:88@kulturkarte.servus.at SUMMARY:exhibition opening: ganz nah DTSTAMP:20261013T065153Z DTSTART:20260121T180000Z DESCRIPTION:ganz nah\nLisa Großkopf / Sarah Rinderer \n \n\n21.01.2026 – 06 .02.2026\nExhibition Opening: January 21st\, 2026\, 7pm\nPerformance: » – . ! : (voices: Mzamo Nondlwana\, Aaron Josi Sternbauer\, Crystal\nWall\; a ccordion: Jakob Steinkellner)\, 7:30pm\nOpening hours: Wed – Fri\, 3 – 6pm \n\nIn her work\, Lisa Großkopf takes aim at the striving for perfection. She\nhighlights a troubling worldview: one that ascribes responsibility fo r life’s\nhappiness primarily to the individual\, while largely ignoring e ssential\nvariables such as structural inequalities and social disadvantag es. Großkopf\nconfronts the neoliberal ideal—where health\, beauty\, and c ontentment are viewed\nas things to be maximized solely through diligence and discipline—with the\nreality of hyper-capitalist societies.\n\nAt the intersection of literature and visual arts\, Sarah Rinderer focuses on\nde aling with language itself\, its pauses\, gaps and in-between-spaces. By m aking\nseemingly silent punctuation marks audible together with voice perf ormers or by\nsending a message into the past through semaphore gestures\, she explores the\nconditions that make communication possible – across sp atial and temporal\ndistances\, different sign systems\, codes and beyond words.\n\nLisa Großkopf (b. 1989\, Vienna) studied at the University of Ap plied Arts\nVienna\, the Academy of Fine Arts Vienna\, and the University of Arts Linz. Her\nextensive exhibition history includes presentations at Lentos\, Belvedere 21\, the\nMuseum der Moderne Salzburg\, and Kunsthaus G raz\, as well as recent participation\nin the Ars Electronica Festival. He r work has taken her internationally to\ncities such as Budapest\, Tehran\ , Düsseldorf\, Bratislava\, Amsterdam\, Kassel\, and\nJacksonville\, and h as included solo exhibitions in Prague\, Ljubljana\, and\nChongqing.\nhttp s://lisagrosskopf.net/ [https://lisagrosskopf.net/]\n\nSarah Rinderer (b. 1994\, Bregenz) studied Fine Arts/Experimental Art and\nCultural Studies a t the University of Arts Linz. She presents her concept-based\nworks and t exts in exhibitions\, anthologies\, and literary magazines\, among\nothers at Galerie 422 Gmunden\, Bank Austria Kunstforum\, the Mahler Forum for\n Music and Society in Klagenfurt and in flugschrift N°45 sektorenfeuer. Mos t\nrecently\, she received grants for studio residencies abroad\, such as Barcelona\,\nAthens\, Reykjavík and Paris\, as well as a start stipend for literature (BMWKMS\,\n2024).\nhttps://www.sarahrinderer.at/ [https://www. sarahrinderer.at/]\n\nOpening hours\n21. January 2026 – 06. February 2026\ nWednesday – Friday\, 3 – 6pm URL:https://kulturkarte.servus.at/event/exhibition-opening-ganz-nah GEO:48.3004043;14.2850196 LOCATION:bb15 – space for contemporary art - Hafnerstraße 4\, 4020 Linz STATUS:CONFIRMED CATEGORIES:bb15,disadvantages,exhibition,happyness,ideals,inequalities,linz ,literature,perfection,performance X-ALT-DESC;FMTTYPE=text/html:

ganz nah
Lisa Großk opf / Sarah Rinderer 
  

21.01.2026 – 06.02.2026
Exhibition Opening: J anuary 21st, 2026, 7pm
Performance: » – . ! : (voices: Mzamo Nondlwana, Aaron Josi Sternbauer, Crystal Wall; accordion: Jakob St einkellner), 7:30pm
Opening hours: Wed – Fri, 3 – 6pm< /p>

In her work, Lisa Großkopf takes aim at the striving for perfection. She highlights a troubling worldview: one that ascribes responsibility fo r life’s happiness primarily to the individual, while largely ignoring ess ential variables such as structural inequalities and social disadvantages. Großkopf confronts the neoliberal ideal—where health, beauty, and content ment are viewed as things to be maximized solely through diligence and dis cipline—with the reality of hyper-capitalist societies.

At the inter section of literature and visual arts, Sarah Rinderer focuses on dealing w ith language itself, its pauses, gaps and in-between-spaces. By making see mingly silent punctuation marks audible together with voice performers or by sending a message into the past through semaphore gestures, she explore s the conditions that make communication possible – across spatial and tem poral distances, different sign systems, codes and beyond words.

Lis a Großkopf (b. 1989, Vienna) studied at the University of Applied Arts Vie nna, the Academy of Fine Arts Vienna, and the University of Arts Linz. Her extensive exhibition history includes presentations at Lentos, Belvedere 21, the Museum der Moderne Salzburg, and Kunsthaus Graz, as well as recent participation in the Ars Electronica Festival. Her work has taken her int ernationally to cities such as Budapest, Tehran, Düsseldorf, Bratislava, A msterdam, Kassel, and Jacksonville, and has included solo exhibitions in P rague, Ljubljana, and Chongqing.
https://lisagrosskopf.net/

Sarah Rinderer (b. 199 4, Bregenz) studied Fine Arts/Experimental Art and Cultural Studies at the University of Arts Linz. She presents her concept-based works and texts i n exhibitions, anthologies, and literary magazines, among others at Galeri e 422 Gmunden, Bank Austria Kunstforum, the Mahler Forum for Music and Soc iety in Klagenfurt and in flugschrift N°45 sektorenfeuer. Most recently, s he received grants for studio residencies abroad, such as Barcelona, Athen s, Reykjavík and Paris, as well as a start stipend for literature (BMWKMS, 2024).
https:/ /www.sarahrinderer.at/

Opening hours
21. Jan uary 2026 – 06. February 2026
Wednesday – Friday, 3 – 6pm

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