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UID:587@kulturkarte.servus.at
SUMMARY:Feedback-modulation in Pure Data
DTSTAMP:20261031T062736Z
DTSTART:20261114T130000Z
DESCRIPTION:Feedback-modulation\nin Pure Data\n\nIn this workshop we build 
	a feedback-modulation-system in Pure Data together. We\nbuild a 4 oscillat
	or system based on sine-wave-oscillators by interconnecting\nthem as modul
	ators for frequency\, phase and amplitude with adjustable\nmodulation-dept
	hs. In order to control the system we explore the possibilities\nof manipu
	lating a high number of parameters with a minimum number of input\nvalues.
	\n\nFor the workshop you need:\nLaptop\nPure Data\noptional: MIDI Controll
	er\n\nBio:\nDaniel Haas – mostly known as Sturmherta – is a musician\, sou
	nd artist\, and\nexperimentalist who focuses on related fields such as dig
	ital sound synthesis\nmethods\, chaotic systems\, and the translation of s
	ound waves into different\ndomains\, making them visible\, tangible\, or e
	xperienceable in other forms. He\nexperiments with sound as a mechanical f
	orce and as a physical phenomenon in\nspace.
URL:https://kulturkarte.servus.at/event/feedback-modulation-in-pure-data
LOCATION:servus clubraum - Kirchengasse 4\, 4040 Linz
STATUS:CONFIRMED
CATEGORIES:feedback,linz,music,noiselab,oscillator,parameters,pure data,pur
	edata,sound,workshop
X-ALT-DESC;FMTTYPE=text/html:<p>Feedback-modulation<br>in Pure Data<br><br>
	In this workshop we build a feedback-modulation-system in Pure Data togeth
	er. We build a 4 oscillator system based on sine-wave-oscillators by inter
	connecting them as modulators for frequency, phase and amplitude with adju
	stable modulation-depths. In order to control the system we explore the po
	ssibilities of manipulating a high number of parameters with a minimum num
	ber of input values. <br><br>For the workshop you need:<br>Laptop<br>Pure 
	Data<br>optional: MIDI Controller<br><br>Bio:<br>Daniel Haas – mostly know
	n as Sturmherta – is a musician, sound artist, and experimentalist who foc
	uses on related fields such as digital sound synthesis methods, chaotic sy
	stems, and the translation of sound waves into different domains, making t
	hem visible, tangible, or experienceable in other forms. He experiments wi
	th sound as a mechanical force and as a physical phenomenon in space.</p>
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